Package software.amazon.awssdk.services.mediaconvert.model
package software.amazon.awssdk.services.mediaconvert.model
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ClassDescriptionChoose BROADCASTER_MIXED_AD when the input contains pre-mixed main audio + audio description (AD) as a stereo pair.AAC Profile.The Coding mode that you specify determines the number of audio channels and the audio channel layout metadata in your AAC output.Rate Control Mode.Enables LATM/LOAS AAC output.Required when you set Codec to the value AAC.Use MPEG-2 AAC instead of MPEG-4 AAC audio for raw or MPEG-2 Transport Stream containers.VBR Quality Level - Only used if rate_control_mode is VBR.Specify the bitstream mode for the AC-3 stream that the encoder emits.Dolby Digital coding mode.Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby Digital stream for the line operating mode.When you want to add Dolby dynamic range compression (DRC) signaling to your output stream, we recommend that you use the mode-specific settings instead of Dynamic range compression profile.Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby Digital stream for the RF operating mode.Applies a 120Hz lowpass filter to the LFE channel prior to encoding.When set to FOLLOW_INPUT, encoder metadata will be sourced from the DD, DD+, or DolbyE decoder that supplied this audio data.Required when you set Codec to the value AC3.Specify whether the service runs your job with accelerated transcoding.Accelerated transcoding can significantly speed up jobs with long, visually complex content.Describes whether the current job is running with accelerated transcoding.Use to remove noise, blocking, blurriness, or ringing from your input as a pre-filter step before encoding.Add texture and detail to areas of your input video content that were lost after applying the Advanced input filter.Optional settings for Advanced input filter when you set Advanced input filter to Enabled.Optionally specify the amount of sharpening to apply when you use the Advanced input filter.This setting only applies to H.264, H.265, and MPEG2 outputs.Required when you set Codec to the value AIFF.Use Allowed renditions to specify a list of possible resolutions in your ABR stack.Ignore this setting unless this input is a QuickTime animation with an alpha channel.Specify whether this set of input captions appears in your outputs in both 608 and 708 format.Settings for ancillary captions source.By default, the service terminates any unterminated captions at the end of each input.The anti-alias filter is automatically applied to all outputs.Specify the QuickTime audio channel layout tags for the audio channels in this audio track.Specify the QuickTime audio channel layout tags for the audio channels in this audio track.Choose the audio codec for this output.Settings related to audio encoding.Enable this setting on one audio selector to set it as the default for the job.Settings related to one audio tab on the MediaConvert console.Apply audio timing corrections to help synchronize audio and video in your output.Specify which source for language code takes precedence for this audio track.Choose one of the following audio normalization algorithms: ITU-R BS.1770-1: Ungated loudness.When enabled the output audio is corrected using the chosen algorithm.If set to LOG, log each output's audio track loudness to a CSV file.If set to TRUE_PEAK, calculate and log the TruePeak for each output's audio track loudness.Advanced audio normalization settings.Use Audio selectors to specify a track or set of tracks from the input that you will use in your outputs.Use audio selector groups to combine multiple sidecar audio inputs so that you can assign them to a single output audio tab.Specifies the type of the audio selector.When set to FOLLOW_INPUT, if the input contains an ISO 639 audio_type, then that value is passed through to the output.Specify one or more Automated ABR rule types.Use automated ABR to have MediaConvert set up the renditions in your ABR package for you automatically, based on characteristics of your input video.Use automated encoding to have MediaConvert choose your encoding settings for you, based on characteristics of your input video.Specify the strength of any adaptive quantization filters that you enable.Specify the Bit depth.Film grain synthesis replaces film grain present in your content with similar quality synthesized AV1 film grain.Use the Framerate setting to specify the frame rate for this output.Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate.Settings for quality-defined variable bitrate encoding with the AV1 codec.'With AV1 outputs, for rate control mode, MediaConvert supports only quality-defined variable bitrate (QVBR).Required when you set Codec, under VideoDescription>CodecSettings to the value AV1.Keep the default value, Enabled, to adjust quantization within each frame based on spatial variation of content complexity.Use ad avail blanking settings to specify your output content during SCTE-35 triggered ad avails.Specify the AVC-Intra class of your output.If you are using the console, use the Framerate setting to specify the frame rate for this output.Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate.Choose the scan line type for the output.Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate.Required when you choose AVC-Intra for your output video codec.Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps).When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard telecine to create a smoother picture.Optional.Optional when you set AVC-Intra class to Class 4K/2K.The service can't process your request because of a problem in the request.The Bandwidth reduction filter increases the video quality of your output relative to its bitrate.Optionally specify the level of sharpening to apply when you use the Bandwidth reduction filter.Specify the strength of the Bandwidth reduction filter.The tag type that AWS Billing and Cost Management will use to sort your AWS Elemental MediaConvert costs on any billing report that you set up.Burn-in is a captions delivery method, rather than a captions format.Specify the alignment of your captions.Ignore this setting unless Style passthrough is set to Enabled and Font color set to Black, Yellow, Red, Green, Blue, or Hex.Specify the color of the rectangle behind the captions.Specify the font that you want the service to use for your burn in captions when your input captions specify a font that MediaConvert doesn't support.Specify the color of the burned-in captions text.Specify font outline color.Specify the color of the shadow cast by the captions.Set Style passthrough to ENABLED to use the available style, color, and position information from your input captions.Specify whether the text spacing in your captions is set by the captions grid, or varies depending on letter width.This object holds groups of settings related to captions for one output.Caption Description for presetSettings related to one captions tab on the MediaConvert console.Specify the format for this set of captions on this output.Use captions selectors to specify the captions data from your input that you use in your outputs.Choose the presentation style of your input SCC captions.Ignore this setting unless your input captions format is SCC.If your input captions are SCC, TTML, STL, SMI, SRT, or IMSC in an xml file, specify the URI of the input captions source file.Use Source to identify the format of your input captions.Channel mapping contains the group of fields that hold the remixing value for each channel, in dB.Specify YUV limits and RGB tolerances when you set Sample range conversion to Limited range clip.Specify the details for each pair of HLS and DASH additional manifests that you want the service to generate for this CMAF output group.Disable this setting only when your workflow requires the #EXT-X-ALLOW-CACHE:no tag.Specification to use (RFC-6381 or the default RFC-4281) during m3u8 playlist generation.Settings for CMAF encryptionSpecify the encryption scheme that you want the service to use when encrypting your CMAF segments.Settings related to your CMAF output package.Specify whether MediaConvert generates images for trick play.Tile and thumbnail settings applicable when imageBasedTrickPlay is ADVANCEDWhen you use DRM with CMAF outputs, choose whether the service writes the 128-bit encryption initialization vector in the HLS and DASH manifests.The cadence MediaConvert follows for generating thumbnails.Specify whether your DRM encryption key is static or from a key provider that follows the SPEKE standard.When set to GZIP, compresses HLS playlist.Indicates whether the output manifest should use floating point values for segment duration.Specify how the value for bandwidth is determined for each video Representation in your output MPD manifest.Specify whether your DASH profile is on-demand or main.Use this setting only when your output video stream has B-frames, which causes the initial presentation time stamp (PTS) to be offset from the initial decode time stamp (DTS).When set to SINGLE_FILE, a single output file is generated, which is internally segmented using the Fragment Length and Segment Length.Specify how you want MediaConvert to determine the segment length.Include or exclude RESOLUTION attribute for video in EXT-X-STREAM-INF tag of variant manifest.When set to LEGACY, the segment target duration is always rounded up to the nearest integer value above its current value in seconds.Specify the video sample composition time offset mode in the output fMP4 TRUN box.When set to ENABLED, a DASH MPD manifest will be generated for this output.When set to ENABLED, an Apple HLS manifest will be generated for this output.When you enable Precise segment duration in DASH manifests, your DASH manifest shows precise segment durations.Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio.Use this setting to control the values that MediaConvert puts in your HLS parent playlist to control how the client player selects which audio track to play.Specify whether to flag this audio track as descriptive video service (DVS) in your HLS parent manifest.Choose Include to have MediaConvert generate an HLS child manifest that lists only the I-frames for this rendition, in addition to your regular manifest for this rendition.To include key-length-value metadata in this output: Set KLV metadata insertion to Passthrough.To add an InbandEventStream element in your output MPD manifest for each type of event message, set Manifest metadata signaling to Enabled.Use this setting only when you specify SCTE-35 markers from ESAM.Ignore this setting unless you have SCTE-35 markers in your input video file.These settings relate to the fragmented MP4 container for the segments in your CMAF outputs.To include ID3 metadata in this output: Set ID3 metadata to Passthrough.Specify the event message box (eMSG) version for ID3 timed metadata in your output.Custom 3D lut settingsSettings for color correction.Choose Insert for this setting to include color metadata in this output.If your input video has accurate color space metadata, or if you don't know about color space: Keep the default value, Follow.Specify the color space you want for this output.There are two sources for color metadata, the input file and the job input settings Color space and HDR master display information settings.The length of the term of your reserved queue pricing plan commitment.The service couldn't complete your request because there is a conflict with the current state of the resource.Container specific settings.Container for this output.The action to take on copy and redistribution control XDS packets.Specify the details for each additional DASH manifest that you want the service to generate for this output group.Specifies DRM settings for DASH outputs.Use this setting only when your audio codec is a Dolby one (AC3, EAC3, or Atmos) and your downstream workflow requires that your DASH manifest use the Dolby channel configuration tag, rather than the MPEG one.Settings related to your DASH output package.Supports HbbTV specification as indicatedSpecify whether MediaConvert generates images for trick play.Tile and thumbnail settings applicable when imageBasedTrickPlay is ADVANCEDThe cadence MediaConvert follows for generating thumbnails.Specify how the value for bandwidth is determined for each video Representation in your output MPD manifest.Specify whether your DASH profile is on-demand or main.This setting can improve the compatibility of your output with video players on obsolete devices.Use this setting only when your output video stream has B-frames, which causes the initial presentation time stamp (PTS) to be offset from the initial decode time stamp (DTS).When set to SINGLE_FILE, a single output file is generated, which is internally segmented using the Fragment Length and Segment Length.Specify how you want MediaConvert to determine the segment length.Specify the video sample composition time offset mode in the output fMP4 TRUN box.When you enable Precise segment duration in manifests, your DASH manifest shows precise segment durations.Specify how MediaConvert writes SegmentTimeline in your output DASH manifest.Specify the encryption mode that you used to encrypt your input files.Only applies when you set Deinterlace mode to Deinterlace or Adaptive.Settings for deinterlacer- When set to NORMAL (default), the deinterlacer does not convert frames that are tagged in metadata as progressive.Use Deinterlacer to choose how the service will do deinterlacing.Deprecated.DescribeEndpointsRequestSettings associated with the destination.Create Dolby Vision Profile 5 or Profile 8.1 compatible video output.Use these settings when you set DolbyVisionLevel6Mode to SPECIFY to override the MaxCLL and MaxFALL values in your input with new values.Use Dolby Vision Mode to choose how the service will handle Dolby Vision MaxCLL and MaxFALL properies.Required when you set Dolby Vision Profile to Profile 8.1.Required when you enable Dolby Vision.Applies only to 29.97 fps outputs.Specify how MediaConvert handles the display definition segment (DDS).Use these settings to insert a DVB Network Information Table (NIT) in the transport stream of this output.Use these settings to insert a DVB Service Description Table (SDT) in the transport stream of this output.Settings related to DVB-Sub captions.DVB Sub Source SettingsSpecify the font that you want the service to use for your burn in captions when your input captions specify a font that MediaConvert doesn't support.Specify the alignment of your captions.Ignore this setting unless Style Passthrough is set to Enabled and Font color set to Black, Yellow, Red, Green, Blue, or Hex.Specify the color of the rectangle behind the captions.Specify the color of the captions text.Specify font outline color.Specify the color of the shadow cast by the captions.Set Style passthrough to ENABLED to use the available style, color, and position information from your input captions.Specify whether the Text spacing in your captions is set by the captions grid, or varies depending on letter width.Specify whether your DVB subtitles are standard or for hearing impaired.Use these settings to insert a DVB Time and Date Table (TDT) in the transport stream of this output.Specify the bitstream mode for the E-AC-3 stream that the encoder emits.The coding mode for Dolby Digital Plus JOC (Atmos).Enable Dolby Dialogue Intelligence to adjust loudness based on dialogue analysis.Specify whether MediaConvert should use any downmix metadata from your input file.Choose the Dolby dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby stream for the line operating mode.Choose the Dolby dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby stream for the RF operating mode.Specify whether MediaConvert should use any dynamic range control metadata from your input file.Choose how the service meters the loudness of your audio.Required when you set Codec to the value EAC3_ATMOS.Choose how the service does stereo downmixing.Specify whether your input audio has an additional center rear surround channel matrix encoded into your left and right surround channels.If set to ATTENUATE_3_DB, applies a 3 dB attenuation to the surround channels.Specify the bitstream mode for the E-AC-3 stream that the encoder emits.Dolby Digital Plus coding mode.Activates a DC highpass filter for all input channels.Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby Digital stream for the line operating mode.Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby Digital stream for the RF operating mode.When encoding 3/2 audio, controls whether the LFE channel is enabledApplies a 120Hz lowpass filter to the LFE channel prior to encoding.When set to FOLLOW_INPUT, encoder metadata will be sourced from the DD, DD+, or DolbyE decoder that supplied this audio data.When set to WHEN_POSSIBLE, input DD+ audio will be passed through if it is present on the input.Controls the amount of phase-shift applied to the surround channels.Required when you set Codec to the value EAC3.Choose how the service does stereo downmixing.When encoding 3/2 audio, sets whether an extra center back surround channel is matrix encoded into the left and right surround channels.When encoding 2/0 audio, sets whether Dolby Surround is matrix encoded into the two channels.Specify whether this set of input captions appears in your outputs in both 608 and 708 format.Settings related to CEA/EIA-608 and CEA/EIA-708 (also called embedded or ancillary) captions.Settings for embedded captions SourceBy default, the service terminates any unterminated captions at the end of each input.Set Embedded timecode override to Use MDPM when your AVCHD input contains timecode tag data in the Modified Digital Video Pack Metadata.Describes an account-specific API endpoint.ESAM ManifestConfirmConditionNotification defined by OC-SP-ESAM-API-I03-131025.Settings for Event Signaling And Messaging (ESAM).ESAM SignalProcessingNotification data defined by OC-SP-ESAM-API-I03-131025.If your source content has EIA-608 Line 21 Data Services, enable this feature to specify what MediaConvert does with the Extended Data Services (XDS) packets.To place the MOOV atom at the beginning of your output, which is useful for progressive downloading: Leave blank or choose Progressive download.Settings for F4v containerSettings related to your File output group.Specify whether this set of input captions appears in your outputs in both 608 and 708 format.If your input captions are SCC, SMI, SRT, STL, TTML, WebVTT, or IMSC 1.1 in an xml file, specify the URI of the input caption source file.When you use the setting Time delta to adjust the sync between your sidecar captions and your video, use this setting to specify the units for the delta that you specify.Required when you set Codec, under AudioDescriptions>CodecSettings, to the value FLAC.Provide the font script, using an ISO 15924 script code, if the LanguageCode is not sufficient for determining the script type.You don't have permissions for this action with the credentials you sent.Use Force include renditions to specify one or more resolutions to include your ABR stack.Required when you set Codec to the value FRAME_CAPTURE.Keep the default value, Auto, for this setting to have MediaConvert automatically apply the best types of quantization for your video content.Specify an H.264 level that is consistent with your output video settings.H.264 Profile.Choose Adaptive to improve subjective video quality for high-motion content.Optionally include or suppress markers at the end of your output that signal the end of the video stream.Entropy encoding mode.The video encoding method for your MPEG-4 AVC output.Only use this setting when you change the default value, AUTO, for the setting H264AdaptiveQuantization.If you are using the console, use the Framerate setting to specify the frame rate for this output.Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate.Specify whether to allow B-frames to be referenced by other frame types.Specify how the transcoder determines GOP size for this output.Choose the scan line type for the output.Optional.The Quality tuning level you choose represents a trade-off between the encoding speed of your job and the output video quality.Settings for quality-defined variable bitrate encoding with the H.264 codec.Use this setting to specify whether this output has a variable bitrate (VBR), constant bitrate (CBR) or quality-defined variable bitrate (QVBR).Places a PPS header on each encoded picture, even if repeated.Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate.Enable this setting to insert I-frames at scene changes that the service automatically detects.Required when you set Codec to the value H_264.Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps).Only use this setting when you change the default value, Auto, for the setting H264AdaptiveQuantization.Produces a bitstream compliant with SMPTE RP-2027.When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard or soft telecine to create a smoother picture.Only use this setting when you change the default value, AUTO, for the setting H264AdaptiveQuantization.Inserts timecode for each frame as 4 bytes of an unregistered SEI message.When you set Adaptive Quantization to Auto, or leave blank, MediaConvert automatically applies quantization to improve the video quality of your output.Enables Alternate Transfer Function SEI message for outputs using Hybrid Log Gamma (HLG) Electro-Optical Transfer Function (EOTF).H.265 Level.Represents the Profile and Tier, per the HEVC (H.265) specification.Choose Adaptive to improve subjective video quality for high-motion content.Optionally include or suppress markers at the end of your output that signal the end of the video stream.Enable this setting to have the encoder reduce I-frame pop.Use the Framerate setting to specify the frame rate for this output.Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate.Specify whether to allow B-frames to be referenced by other frame types.Specify how the transcoder determines GOP size for this output.Choose the scan line type for the output.Optional.Optional.Settings for quality-defined variable bitrate encoding with the H.265 codec.Use this setting to specify whether this output has a variable bitrate (VBR), constant bitrate (CBR) or quality-defined variable bitrate (QVBR).Specify Sample Adaptive Offset (SAO) filter strength.Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate.Enable this setting to insert I-frames at scene changes that the service automatically detects.Settings for H265 codecIgnore this setting unless your input frame rate is 23.976 or 24 frames per second (fps).Keep the default value, Enabled, to adjust quantization within each frame based on spatial variation of content complexity.This field applies only if the Streams > Advanced > Framerate field is set to 29.970.Keep the default value, Enabled, to adjust quantization within each frame based on temporal variation of content complexity.Enables temporal layer identifiers in the encoded bitstream.Enable use of tiles, allowing horizontal as well as vertical subdivision of the encoded pictures.Inserts timecode for each frame as 4 bytes of an unregistered SEI message.If the location of parameter set NAL units doesn't matter in your workflow, ignore this setting.Use these settings to specify static color calibration metadata, as defined by SMPTE ST 2086.Setting for HDR10+ metadata insertionSpecify how MediaConvert maps brightness and colors from your HDR input to your SDR output.Specify the details for each additional HLS manifest that you want the service to generate for this output group.Ad marker for Apple HLS manifest.Use this setting only in audio-only outputs.Ignore this setting unless you are using FairPlay DRM with Verimatrix and you encounter playback issues.Four types of audio-only tracks are supported: Audio-Only Variant Stream The client can play back this audio-only stream instead of video in low-bandwidth scenarios.Caption Language MappingApplies only to 608 Embedded output captions.Set Caption segment length control to Match video to create caption segments that align with the video segments from the first video output in this output group.Disable this setting only when your workflow requires the #EXT-X-ALLOW-CACHE:no tag.Specification to use (RFC-6381 or the default RFC-4281) during m3u8 playlist generation.Specify whether to flag this audio track as descriptive video service (DVS) in your HLS parent manifest.Indicates whether segments should be placed in subdirectories.Settings for HLS encryptionEncrypts the segments with the given encryption scheme.Settings related to your HLS output package.Choose Include to have MediaConvert generate a child manifest that lists only the I-frames for this rendition, in addition to your regular manifest for this rendition.Specify whether MediaConvert generates images for trick play.Tile and thumbnail settings applicable when imageBasedTrickPlay is ADVANCEDThe Initialization Vector is a 128-bit number used in conjunction with the key for encrypting blocks.The cadence MediaConvert follows for generating thumbnails.Specify whether your DRM encryption key is static or from a key provider that follows the SPEKE standard.When set to GZIP, compresses HLS playlist.Indicates whether the output manifest should use floating point values for segment duration.Enable this setting to insert the EXT-X-SESSION-KEY element into the master playlist.Indicates whether the .m3u8 manifest file should be generated for this HLS output group.Includes or excludes EXT-X-PROGRAM-DATE-TIME tag in .m3u8 manifest files.Specify whether MediaConvert generates HLS manifests while your job is running or when your job is complete.Settings specific to audio sources in an HLS alternate rendition group.When set to SINGLE_FILE, emits program as a single media resource (.ts) file, uses #EXT-X-BYTERANGE tags to index segment for playback.Specify how you want MediaConvert to determine the segment length.Settings for HLS output groupsInclude or exclude RESOLUTION attribute for video in EXT-X-STREAM-INF tag of variant manifest.When set to LEGACY, the segment target duration is always rounded up to the nearest integer value above its current value in seconds.Specify the type of the ID3 frame to use for ID3 timestamps in your output.Optional.To insert ID3 tags in your output, specify two values.Use the image inserter feature to include a graphic overlay on your video.If the IMSC captions track is intended to provide accessibility for people who are deaf or hard of hearing: Set Accessibility subtitles to Enabled.Settings related to IMSC captions.Keep this setting enabled to have MediaConvert use the font style and position information from the captions source in the output.Use inputs to define the source files used in your transcoding job.To transcode only portions of your input, include one input clip for each part of your input that you want in your output.Enable Deblock to produce smoother motion in the output.Settings for decrypting any input files that you encrypt before you upload them to Amazon S3.Enable Denoise to filter noise from the input.Specify whether to apply input filtering to improve the video quality of your input.An input policy allows or disallows a job you submit to run based on the conditions that you specify.Set PSI control for transport stream inputs to specify which data the demux process to scans.Use Rotate to specify how the service rotates your video.If the sample range metadata in your input video is accurate, or if you don't know about sample range, keep the default value, Follow, for this setting.When you have a progressive segmented frame (PsF) input, use this setting to flag the input as PsF.Specified video input in a template.Use this Timecode source setting, located under the input settings, to specify how the service counts input video frames.When you include Video generator, MediaConvert creates a video input with black frames.These settings apply to a specific graphic overlay.The service encountered an unexpected condition and can't fulfill your request.Each job converts an input file into an output file or files.Provides messages from the service about jobs that you have already successfully submitted.A job's phase can be PROBING, TRANSCODING OR UPLOADINGJobSettings contains all the transcode settings for a job.A job's status can be SUBMITTED, PROGRESSING, COMPLETE, CANCELED, or ERROR.A job template is a pre-made set of encoding instructions that you can use to quickly create a job.Optional.JobTemplateSettings contains all the transcode settings saved in the template that will be applied to jobs created from it.Use these settings only when you use Kantar watermarking.Specify the language, using the ISO 639-2 three-letter code listed at https://www.loc.gov/standards/iso639-2/php/code_list.php.Selects between the DVB and ATSC buffer models for Dolby Digital audio.Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio.Controls what buffer model to use for accurate interleaving.If you select ALIGN_TO_VIDEO, MediaConvert writes captions and data packets with Presentation Timestamp (PTS) values greater than or equal to the first video packet PTS (MediaConvert drops captions and data packets with lesser PTS values).When set to VIDEO_AND_FIXED_INTERVALS, audio EBP markers will be added to partitions 3 and 4.Selects which PIDs to place EBP markers on.Controls whether to include the ES Rate field in the PES header.Keep the default value unless you know that your audio EBP markers are incorrectly appearing before your video EBP markers.To include key-length-value metadata in this output: Set KLV metadata insertion to Passthrough.If INSERT, Nielsen inaudible tones for media tracking will be detected in the input audio and an equivalent ID3 tag will be inserted in the output.When set to PCR_EVERY_PES_PACKET, a Program Clock Reference value is inserted for every Packetized Elementary Stream (PES) header.When set to CBR, inserts null packets into transport stream to fill specified bitrate.Settings for SCTE-35 signals from ESAM.For SCTE-35 markers from your input-- Choose Passthrough if you want SCTE-35 markers that appear in your input to also appear in this output.Inserts segmentation markers at each segmentation_time period.The segmentation style parameter controls how segmentation markers are inserted into the transport stream.MPEG-2 TS container settings.Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio.If you select ALIGN_TO_VIDEO, MediaConvert writes captions and data packets with Presentation Timestamp (PTS) values greater than or equal to the first video packet PTS (MediaConvert drops captions and data packets with lesser PTS values).If INSERT, Nielsen inaudible tones for media tracking will be detected in the input audio and an equivalent ID3 tag will be inserted in the output.When set to PCR_EVERY_PES_PACKET a Program Clock Reference value is inserted for every Packetized Elementary Stream (PES) header.For SCTE-35 markers from your input-- Choose Passthrough if you want SCTE-35 markers that appear in your input to also appear in this output.These settings relate to the MPEG-2 transport stream (MPEG2-TS) container for the MPEG2-TS segments in your HLS outputs.Use Min bottom rendition size to specify a minimum size for the lowest resolution in your ABR stack.Use Min top rendition size to specify a minimum size for the highest resolution in your ABR stack.Overlay motion graphics on top of your video.For motion overlays that don't have a built-in frame rate, specify the frame rate of the overlay in frames per second, as a fraction.Choose the type of motion graphic asset that you are providing for your overlay.Specify the offset between the upper-left corner of the video frame and the top left corner of the overlay.Specify whether your motion graphic overlay repeats on a loop or plays only once.When enabled, include 'clap' atom if appropriate for the video output settings.When enabled, file composition times will start at zero, composition times in the 'ctts' (composition time to sample) box for B-frames will be negative, and a 'cslg' (composition shift least greatest) box will be included per 14496-1 amendment 1.When set to XDCAM, writes MPEG2 video streams into the QuickTime file using XDCAM fourcc codes.Unless you need Omneon compatibility: Keep the default value, None.Always keep the default value (SELF_CONTAINED) for this setting.These settings relate to your QuickTime MOV output container.Required when you set Codec to the value MP2.Specify whether the service encodes this MP3 audio output with a constant bitrate (CBR) or a variable bitrate (VBR).Required when you set Codec, under AudioDescriptions>CodecSettings, to the value MP3.When enabled, file composition times will start at zero, composition times in the 'ctts' (composition time to sample) box for B-frames will be negative, and a 'cslg' (composition shift least greatest) box will be included per 14496-1 amendment 1.Inserts a free-space box immediately after the moov box.To place the MOOV atom at the beginning of your output, which is useful for progressive downloading: Leave blank or choose Progressive download.These settings relate to your MP4 output container.Optional.Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio.Use this setting only in DASH output groups that include sidecar TTML or IMSC captions.To include key-length-value metadata in this output: Set KLV metadata insertion to Passthrough.To add an InbandEventStream element in your output MPD manifest for each type of event message, set Manifest metadata signaling to Enabled.Use this setting only when you specify SCTE-35 markers from ESAM.Ignore this setting unless you have SCTE-35 markers in your input video file.These settings relate to the fragmented MP4 container for the segments in your DASH outputs.To include ID3 metadata in this output: Set ID3 metadata to Passthrough.Specify the event message box (eMSG) version for ID3 timed metadata in your output.Specify the strength of any adaptive quantization filters that you enable.Use Level to set the MPEG-2 level for the video output.Use Profile to set the MPEG-2 profile for the video output.Choose Adaptive to improve subjective video quality for high-motion content.If you are using the console, use the Framerate setting to specify the frame rate for this output.Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate.Specify the units for GOP size.Choose the scan line type for the output.Use Intra DC precision to set quantization precision for intra-block DC coefficients.Optional.Optional.Use Rate control mode to specify whether the bitrate is variable (vbr) or constant (cbr).Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate.Enable this setting to insert I-frames at scene changes that the service automatically detects.Required when you set Codec to the value MPEG2.Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps).Keep the default value, Enabled, to adjust quantization within each frame based on spatial variation of content complexity.Specify whether this output's video uses the D10 syntax.When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard or soft telecine to create a smoother picture.Keep the default value, Enabled, to adjust quantization within each frame based on temporal variation of content complexity.Specify the details for each additional Microsoft Smooth Streaming manifest that you want the service to generate for this output group.COMBINE_DUPLICATE_STREAMS combines identical audio encoding settings across a Microsoft Smooth output group into a single audio stream.If you are using DRM, set DRM System to specify the value SpekeKeyProvider.Specify how you want MediaConvert to determine the fragment length.Settings related to your Microsoft Smooth Streaming output package.Use Manifest encoding to specify the encoding format for the server and client manifest.Optional.Specify the MXF profile, also called shim, for this output.These settings relate to your MXF output container.To create an output that complies with the XAVC file format guidelines for interoperability, keep the default value, Drop frames for compliance.Specify the XAVC profile settings for MXF outputs when you set your MXF profile to XAVC.For forensic video watermarking, MediaConvert supports Nagra NexGuard File Marker watermarking.Choose the type of Nielsen watermarks that you want in your outputs.Settings for your Nielsen configuration.Ignore these settings unless you are using Nielsen non-linear watermarking.Required.To create assets that have the same TIC values in each audio track, keep the default value Share TICs.When you set Noise reducer to Temporal, the bandwidth and sharpness of your output is reduced.Use Post temporal sharpening strength to define the amount of sharpening the transcoder applies to your output.Enable the Noise reducer feature to remove noise from your video output if necessary.Use Noise reducer filter to select one of the following spatial image filtering functions.Settings for a noise reducer filterNoise reducer filter settings for spatial filter.Noise reducer filter settings for temporal filter.The resource you requested doesn't exist.Required when you set Codec, under AudioDescriptions>CodecSettings, to the value OPUS.Optional.Each output in your job is a collection of settings that describes how you want MediaConvert to encode a single output file or stream.OutputChannel mapping settings.Details regarding outputGroup of outputsContains details about the output groups specified in the job settings.Output Group settings, including typeType of output group (File group, Apple HLS, DASH ISO, Microsoft Smooth Streaming, CMAF)Selects method of inserting SDT information into output stream.Specific settings for this type of output.Use this setting if your input has video and audio durations that don't align, and your output or player has strict alignment requirements.If you work with a third party video watermarking partner, use the group of settings that correspond with your watermarking partner to include watermarks in your output.A policy configures behavior that you allow or disallow for your account.A preset is a collection of preconfigured media conversion settings that you want MediaConvert to apply to the output during the conversion process.Optional.Settings for presetSpecifies whether the pricing plan for the queue is on-demand or reserved.This setting applies only to ProRes 4444 and ProRes 4444 XQ outputs that you create from inputs that use 4:4:4 chroma sampling.Use Profile to specify the type of Apple ProRes codec to use for this output.If you are using the console, use the Framerate setting to specify the frame rate for this output.Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate.Choose the scan line type for the output.Optional.Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate.Required when you set Codec to the value PRORES.Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps).When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard telecine to create a smoother picture.You can use queues to manage the resources that are available to your AWS account for running multiple transcoding jobs at the same time.Optional.Queues can be ACTIVE or PAUSED.Description of the source and destination queues between which the job has moved, along with the timestamp of the moveUse Rectangle to identify a specific area of the video frame.Use Manual audio remixing to adjust audio levels for each audio channel in each output of your job.Specifies whether the term of your reserved queue pricing plan is automatically extended (AUTO_RENEW) or expires (EXPIRE) at the end of the term.Set to ENABLED to force a rendition to be included.Details about the pricing plan for your reserved queue.Details about the pricing plan for your reserved queue.Specifies whether the pricing plan for your reserved queue is ACTIVE or EXPIRED.The Amazon Resource Name (ARN) and tags for an AWS Elemental MediaConvert resource.Use Respond to AFD to specify how the service changes the video itself in response to AFD values in the input.Use Min top rendition size to specify a minimum size for the highest resolution in your ABR stack.Optional.Settings associated with S3 destinationSettings for how your job outputs are encrypted as they are uploaded to Amazon S3.Choose an Amazon S3 canned ACL for MediaConvert to apply to this output.Specify how you want your data keys managed.Specify the S3 storage class to use for this output.Specify how MediaConvert limits the color sample range for this output.Specify the video Scaling behavior when your output has a different resolution than your input.Set Framerate to make sure that the captions and the video are synchronized in the output.Settings related to SCC captions.Enable this setting when you run a test job to estimate how many reserved transcoding slots (RTS) you need.If your output group type is HLS, DASH, or Microsoft Smooth, use these settings when doing DRM encryption with a SPEKE-compliant key provider.If your output group type is CMAF, use these settings when doing DRM encryption with a SPEKE-compliant key provider.Settings related to SRT captions.Set Style passthrough to ENABLED to use the available style, color, and position information from your input captions.Use these settings to set up encryption with a static key provider.Specify how often MediaConvert sends STATUS_UPDATE events to Amazon CloudWatch Events.Settings related to teletext captions.A page type as defined in the standard ETSI EN 300 468, Table 94Settings specific to Teletext caption sources, including Page number.Settings for burning the output timecode and specified prefix into the output.Use Position under Timecode burn-in to specify the location the burned-in timecode on output video.These settings control how the service handles timecodes throughout the job.Use Source to set how timecodes are handled within this job.Set ID3 metadata to Passthrough to include ID3 metadata in this output.Insert user-defined custom ID3 metadata at timecodes that you specify.Information about when jobs are submitted, started, and finished is specified in Unix epoch format in seconds.Too many requests have been sent in too short of a time.Settings specific to caption sources that are specified by track number.Specify the initial presentation timestamp (PTS) offset for your transport stream output.Settings related to TTML captions.Pass through style and position information from a TTML-like input source (TTML, IMSC, SMPTE-TT) to the TTML output.The four character code for the uncompressed video.Use the Framerate setting to specify the frame rate for this output.Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate.Optional.Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate.Required when you set Codec, under VideoDescription>CodecSettings to the value UNCOMPRESSED.Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps).When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard telecine to create a smoother picture.Specify the VC3 class to choose the quality characteristics for this output.If you are using the console, use the Framerate setting to specify the frame rate for this output.Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate.Optional.Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate.Required when you set Codec to the value VC3Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps).When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard telecine to create a smoother picture.The action to take on content advisory XDS packets.Type of video codecVideo codec settings contains the group of settings related to video encoding.Settings related to video encoding of your output.Contains details about the output's video streamOverlay one or more videos on top of your input video.Input settings for Video overlay.To transcode only portions of your video overlay, include one input clip for each part of your video overlay that you want in your output.Find additional transcoding features under Preprocessors.Input video selectors contain the video settings for the input.Applies only to H.264, H.265, MPEG2, and ProRes outputs.Required when you set Codec, under AudioDescriptions>CodecSettings, to the value Vorbis.If you are using the console, use the Framerate setting to specify the frame rate for this output.Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate.Optional.Optional.With the VP8 codec, you can use only the variable bitrate (VBR) rate control mode.Required when you set Codec to the value VP8.If you are using the console, use the Framerate setting to specify the frame rate for this output.Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate.Optional.Optional.With the VP9 codec, you can use only the variable bitrate (VBR) rate control mode.Required when you set Codec to the value VP9.Contains any warning codes and their count for the job.Optional.The service defaults to using RIFF for WAV outputs.Required when you set Codec to the value WAV.If the WebVTT captions track is intended to provide accessibility for people who are deaf or hard of hearing: Set Accessibility subtitles to Enabled.Settings related to WebVTT captions.Settings specific to WebVTT sources in HLS alternative rendition group.To use the available style, color, and position information from your input captions: Set Style passthrough to Enabled.Specify the XAVC Intra 4k (CBG) Class to set the bitrate of your output.Required when you set Profile to the value XAVC_4K_INTRA_CBG.Specify the XAVC Intra 4k (VBR) Class to set the bitrate of your output.Required when you set Profile to the value XAVC_4K_INTRA_VBR.Specify the XAVC 4k (Long GOP) Bitrate Class to set the bitrate of your output.Specify the codec profile for this output.Optional.Required when you set Profile to the value XAVC_4K.Keep the default value, Auto, for this setting to have MediaConvert automatically apply the best types of quantization for your video content.Optional.The best way to set up adaptive quantization is to keep the default value, Auto, for the setting Adaptive quantization.If you are using the console, use the Frame rate setting to specify the frame rate for this output.Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate.Specify whether the encoder uses B-frames as reference frames for other pictures in the same GOP.Specify the XAVC Intra HD (CBG) Class to set the bitrate of your output.Required when you set Profile to the value XAVC_HD_INTRA_CBG.Specify the XAVC HD (Long GOP) Bitrate Class to set the bitrate of your output.Optional.Required when you set Profile to the value XAVC_HD.Ignore this setting unless you set Frame rate (framerateNumerator divided by framerateDenominator) to 29.970.Choose the scan line type for the output.Specify the XAVC profile for this output.Required when you set Codec to the value XAVC.Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps).The best way to set up adaptive quantization is to keep the default value, Auto, for the setting Adaptive quantization.The best way to set up adaptive quantization is to keep the default value, Auto, for the setting Adaptive quantization.